Kai Samuels-Davis: Emergence

In his latest exhibition, Emergence, Kai Samuels-Davis invites viewers on a profound journey of personal transformation and self-discovery. Inspired by his own inward odyssey over the past several years, the exhibition is a testament to the power of reconnecting with nature and embracing an ever-evolving sense of self.

The artworks, predominantly expressive portraits infused with landscape elements, serve as a mirror reflecting the complex interplay of universal human emotions. Utilizing a liberated palette, a newfound sense of curiosity, and intuitive process (including tools such as meditation and drumming), Samuels-Davis channels the essence of his own emergence, both as an artist and as a human being. Each canvas pulsates with saturated hues, ushering viewers into a dynamic dialogue with the self and the world around them.

Through a vivid exploration of color, material, dimension, and varied mark-making, the artist weaves a narrative that transcends the boundaries of the physical and delves into the metaphysical, exploring our connection with the source and the unity of consciousness (Convergence, 2024).

The theme of connection with nature emerges as vibrant landscapes meld seamlessly with introspective portraits, evoking a sense of harmony and interconnectedness. Further illustrating this connection is the use of found natural materials such as stone, wood, and sap, celebrating the wonder of the world around us.

Incorporating this diverse range of materials, which also includes paint scraps, 3D forms crafted from fabric, paint, and rags, alongside framed post-it notes documenting studio revelations and small abstract portraits (KSDs), Samuels-Davis creates a multi-dimensional experience that mirrors the complexity of the human psyche. These elements coalesce to form a tapestry of identity, awareness, and the passage of time.

At the heart of Emergence lies the exploration of processing emotions and connecting with our higher self. The show serves as a visual metaphor for the deconstruction of self (Elements of Being 1-6, 2024), its awareness (The Reappearing Boy, 2024), and its eventual manifestation into physical reality (Embodied, 2024). From this physical vantage point viewers witness the overwhelming sense of experience that encapsulates the human condition, illustrating how our individual stories are intertwined with the stories of all beings.

Ultimately, Emergence is a testament to the shared journey of growth and heightened consciousness that unites us all. By embracing the full spectrum of human emotion and experience, Samuels-Davis invites viewers to contemplate the mosaic of their own consciousness and embark on a journey of self-discovery and introspection. As viewers navigate through the exhibition, they are reminded of the inherent interconnectedness of humanity and the boundless potential for personal and collective evolution.

Kai Samuels-Davis is a New York born artist living and working in Inverness, California. He attended classes at the Woodstock School of Art at the age of 16, followed by a stint at the Art Students League of New York the following year. In 2002 he received his Bachelors in Fine Arts degree at State University of New York Purchase before moving to California where he completed the graduate program in film at Art Center College of Design in 2006.
Though not directly pursuing film, cinematic themes often arise in his paintings, giving them the sense of being fragments of a larger framework of thoughts. His work is composed mainly of portraits and figures focusing on introspective moments we keep to ourselves. By primarily using found imagery as reference material, a separation is created between artist and subject, allowing the imagery to distance itself from representing specific individuals. The portraits instead change and evolve into a new persona which is abstracted and intentionally ambiguous. This gives the viewer the opportunity to create their own narrative, meaning or associations and makes each piece uniquely personal.
Painting primarily with oils on wood using a combination of brushes and metal and rubber scrapers, paint is applied layer upon layer highlighting its history and texture. Structures and spaces are fragmented or blurred to accentuate the balance between distraction and clarity in daily thought. The images are cerebral and visceral, creating a mood of melancholy and solitude with an appreciation for their necessity and beauty.